Live And Kicking

It may sound even more deranged than usual, but Conny Plankton has been offered the possibility of playing live. This presents no small share of problems, since the usual Conny Plankton approach is to prepare layers and layers of editing with additional samples, loops and beats. So for this live mix, the base tracks were stripped down to basics, and live overdubs added from the Roland Tweak S1 and Sonicware Ambient Ø Synths. So its a live mix, possibly to be used as the basis for a live future performance. Check it Out!

Damage Control is a series of recordings and mixes made by the febrile brain of Conny Plankton, lo this August ov 2026. Hardware devices include the Keystep 37 and Beatstep Pro from Arturia, the Behringer Proton and Neutron Desktop Synths, the Sonicstate Ambient Ø and the Nifty Eurorack. Software VSTs include the Diva, SH-101, Hive, Repro 1, Filterscape and Massive X, together with the TR-909 VST Drum Machine. Add layers of filters and effects, loops and samples to develop an album which traverses the rhythmic and the atonal, the melodic and the abrasive. Damage Control (or Damage for short) was a local character of great individuality. The ideas and images for each track where inspired by different sections of a painting he made where Creativity and the Chaotic abound in every area.

Vasovagal Syncope

The demon hand of Conny Plankton has struck again with 23 new releases and mixes pouring forth from his ruined brain, in this month of July 2026. Expect explorations of abstract textures; rhythmic mutations, genre-bending mutations of sound – in fact, expect the unexpected. It's brought to you courtesy of VST Synths such as Hive, Repro-1, Filterscape, Massive X, the Roland TR-909, and Vital. It's brought to you courtesy of hardware devices such as the Roland S1 Tweak Synth, Sonicware Ambient Ø, the Neutron and Proton Desktop Synths, and the Nifty Eurorack. It's brought to you courtesy of edited loops, samples and beats. Now stir it all together with a big stick and enjoy!

The Road Less Travelled

July ov 2026 sees a new series of release and mixes from the ruined brain of Conny Plankton: We got atonal soundscapes; we got ASMR textures; we got in-yer-face beats. The stellar cast involved included various VST Synths, the Nifty Eurorack, the Korg Kaossilator Pro, the Roland Tweak S1 Synth, the Behringer Crave Desktop Synth, and the Sonicware Ambient Synth, interwoven with treated loops and samples.

Return to Krakow

Here we have a series of recordings and Mixes from Conny Plankton, based loosely on further explorations and experimentations with the Sonicwave Ambient Texture Synth - this time in sync with various hardware devices and systems such as the Neutron, Crave and Proton Desktop Synths, and various patches with the Nifty Eurorack system. Into the party came various VST Synths such as Hive, Repro 1, Filterscape, Massive X and Vital, together with a diversity of  filters and effects. The title of "Return to Krakow" refers to a recent visit to that beautiful city to see an old friend. Leave us not forget the series of treated loops and samples made at various places during my stay which wove their way into the titles of the recordings. Enjoy folks!

Armed With Rhubarb

Conny Plankton strikes again, with a series of recordings based around initial explorations with the Sonicware Ambient Synth: Getting to grips with this powerful beast and putting it through its paces alongside samples, loops, and various VST Synths. The results range from dystopian soundscapes, to abstract aural voyages, to rhythmic mutations. Enjoy!

Dark Pulse Beyond

April 2026 sees a new series of recordings and mixes from the warped brain of Conny Plankton. Further experimentations and exploration with the growing Eurorack System sees things hooked up to the Proton Desktop Synth, the Roland S1 Tweak Synth, the MFOS Weird Sound Generator, the Arturia Beatstep Pro and the Keystep 37. So what we got? Well, fresh in today we got soundscapes, we got tribal rhythmic patterns, we got evolving sequencer voyages, we got atonal textures...

Chanocea

Spring ov 2026 sees a new series of recordings from Conny Plankton, based around further explorations with the Nifty Eurorack system: Patched and synced into hardware devices, running alongside VST Synths and mixed with suitably eclectic field recordings, loops and samples. We have atonal voyages, rhythmic onslaughts and alien soundscapes. Enjoy folks!

Grater Scaper

Here we have a series of recordings from Conny Plankton, loosely unified under a common theme of exploring use of the Scaper VST by Sampleson - a great little drone-making VST where granular synthesis can be used to generate drones and soundscapes from samples. So here it is, at work within a series of new mixes, put to use alongside and in sync with numerous VSTs, effects, hardware devices and the Nifty Eurorack. The final mixes take us through sequence-based voyages, atonal soundscapes, and evolving rhythmic patterns.

Improtant

Improtant is a new series of recordings from Conny Plankton based on a theme of further explorations with the Behringer Proton Desktop Synth. The Proton is now synced into other Behringer devices, such as the Neutron and Crave Desktop Synths, and also Roland Grooveboxes, the Bass Station Rack, the Beatstep Pro sequencer and the Nifty Eurorack. Leave us not forget the loops, samples and VST Synths which formed the core of each Mix. Styles range from tripped-out sequenced voyages to mutant beats, to alien soundscapes. There's even some chilled out laid back lounge in here. Enjoy!

Protonic

The end ov January 2026 sees a new series of recordings from Conny Plankton – loosely based around the newly acquired Behringer Proton Desktop Synth – put to use alongside numerous VSTs, loops, samples and hardware devices such as the Roland TB3 Bass Line, the Roland MC505 and MC303 Grooveboxes and the Arturia Keystep 37. The Final Mixes range from sequencer led voyages, to dystopian atonal soundscapes, calling at many places among and in between...

A Dissent Into The Maelstrom

The start of 2026 sees a new series of recordings from Conny Plankton. VST Synths, filters and effects are in abundance here, together with external devices such as the Neutron Desktop Synth, the MFOS Noise Toaster, and the Nifty Modular Synth set up. The weirdness of Conny Plankton seeps throughout - from Sequencer voyages, to rhythmic mash ups, to atonal explorations. Happy New Year folks!

The Lord Of Misrule

 A special Conny Plankton Christmas Mix to round off 2025: The idea for this mix developed while transcribing and editing a series of old MiniDisc recordings. In amongst the Field Recordings were a series of long recordings made with my Family over various Christmases some 20 years or so ago: Brass Bands and Shopper crowds were rearranged and intermixed with sequencer patters and additional textures from the Repro-1 and Hive VST Synths. The Final Mix is a disorienting soundscape of distant brass instruments, subliminal voices and sequencer synths. Merry Christmas Folks!

Most Peculiar

 Conny Plankton releases a new series of recordings to hear out 2025 in style: Sequencer-led voyages, atonal explorations and rhythmic mayhem coalesce with the warped stamp of Plankton: Expect Eurorack systems, VST Synths, banks of filters and effects, Bass Station Racks and BassLine Synths, interwoven and intermixed in a world most peculiar.

Lest

 November ov 2025 sees a new series of recordings from the warped brian of Conny Plankton. Loosely based around a series of explorations with the Repro 1 and Repro 5 VST Synth from UHE – however, this quickly evolved and expanded to included syncing to other VST Synths and the Nifty Eurorack system, together with numerous loops, samples, filters and effects. These final recordings range from Berlin School sequencer voyages to atonal onslaughts, to rhythmic explorations – and taking in many points in between.

Surge

 The end of October 2025 sees a new series of recordings from Conny Plankton. Loosely unified around a common theme of getting to grips with the Surge XT VST Synth, it was not long at all before other VST Synths, hardware devices, loops and samples came on board. The Final Mixes range across atonal soundscapes, dark ambient visions, and rhythmic beat-based voyages.

Through The Centre Of The Why

Through The Centre Of The Why is a new series of recoredings and mixes from Conny Plankton, released October 2025. We have hard synths and devices; we have samples and loops; we have VST Synths and effects; we have rhythmic assaults and disjointed sequence patterns, we have atonal dystopian textures; we have dark ambient soundscapes. We have...the unexpected...

Everything Here

September 2025, and a new series of recordings from Conny Plankton: Styles and genres range from rhythmic assaults, to atonal dystopian soundscapes, to the Plankton Undefinable. Stellar performers used in the development of these tracks and mixes include the Bass Station Rack, the Nifty Eurorack set up, the Behringer Neutron Desktop Synth, together with VST synths such as Hive, Vital, Massive X and Filterscape. There's a bit of everything here folks!

Coalescent

 August of 2025 sees a new series of recordings from Conny Plankton – loosely based around continued explorations with the vintage Yamaha TG55 Tone Generator, but now moving away from Midi Loops and working with external devices and inputs such as the Arturia Beatstep Pro, the Behringer Neutron Desktop Synth, the Nifty Eurorack set up and the Arturia Keystep 37. The Final Mixes range from dark ambient soundscapes to Rhythmic Onslaughts to the Plankton undefinable.

TG55

This new series of recordings from Conny Plankton sees explorations with an old piece of kit, now dusted off and put to use – namely the Yamaha TG55 Tone Generator – bought from Ebay many years ago. So here it is, wired up and synced in to Ableton and feeding off chains of Midi Loops from VST Synths and hardware devices. The Final Mixes cover dystopian atonal soundscapes to upfront beats relentless, to various places in between. Enjoy folks!