A new series of recordings from Conny Plankton sees continued explorations with big time use of the Filterscape VST FX Plug in; drum based loops and patterns; heavily modulated field recordings; the synced up VST Synths of Hive, Massive, Massive X and Largo; treated samples; hardware synths and weirdness. Big mention must be made to the RX Audio Editor and its stripping out of key instruments from samples; and the rather excellent Filterscape VST Effects processor from UHE. The Final Mixes have mutated into all sorts of different directions as they began to take on a life of their own – but all marked with the Conny Plankton Stamp of Oddball Odd. The title itself refers to a serious operation undertaken during the editing stage of the recordings.
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